First is the “p” sample that specifically with “e.” Then you won’t hear just any “ee,” but you’ll actually get the “ee” that comes after “p.” (Your ear would know if we tried to cheat and use a regular “ee” instead.) Then you’ll hear a few milliseconds of a closing “ee” that would lead into “s.” And then finally, the “s”. So when you play “Peace,” you’ll be triggering four samples altogether. So we sampled not only 192 ending “t” consonants (6 vowels times 32 samples per vowel), but we also recorded the closing vowel sounds leading into each consonant. A singer’s mouth closes differently, depending on which consonant they’re going to. When we recorded the ending consonants (completely separate samples), we noticed that it doesn’t sound quite right if you just slap an end consonant sample onto the end of a vowel sample. For each consonant, that’s six sets for each vowel. There are two and a half octaves of “k” samples (32 samples) that go into “ah.” Another 32 of “k” into “eh.” And so on. Listen to how your own “s” will sound different, depending on the vowel.) So each consonant was recorded separately going in and out of each vowel. Consider these elements:Īn “s” singing into an “ee” sounds different from an “s” singing into an “oo.” (Try it yourself. Six vowels and 23 consonants give you the tools to create your own words and phrases.** But we went deeper than just sampling a bunch of vowels and consonants. Check out the audio demos and see if you don’t agree.
Blue is my go-to singer when I want that ultra-pretty tone. Thanks go out to AudioZ user Intrinsic for the and RG links. Realitone - RealiVox Blue KONTAKT - File Size: ~1.95 GB
0 kommentar(er)
